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Colin Hay still an engaging Man at Work during Terrapin show

BY DANIEL GLUSKOTER

Scottish-Australian singer-songwriter Colin Hay’s performance at Terrapin Crossroads Tuesday night was a welcome revelation for anyone previously unfamiliar with his solo works. Best known as the lead singer and frontman for the long disbanded Australian band Men at Work, Hay has also created a solid catalog of solo material dating back over three decades.

©DANIEL GLUSKOTER Colin Hay performs Tuesday night at Terrapin Crossroads.

As one of the most recognizable bands of the MTV era, Men at Work burst onto the scene in 1981 and have sold over 30 million albums worldwide to date while receiving a Grammy Award for Best New Artist in 1983. All that success came in spite of the band only producing three studio releases during a four year stretch that ended in 1985.

But Hay, 65, has also earned acclaim as a solo artist, releasing 13 albums while continuing to tour. His most recent, 2017’s Fierce Mercy, is a solid effort that includes a number of quality songs ranging from bouncy to introspective.

On Tuesday, his setlist included cuts from eight different solo albums, in addition to a generous dose of his original band’s most recognizable hits. Opening with “Beautiful World” from 2002’s Company of Strangers, Hay, who’s also appeared in Ringo Starr’s All-Starr Band, proceeded to deliver an engaging 110 minute set with his own eclectic band that provided a solid overview of his four decades as a musician.

The joyously upbeat “Come Tumblin’ Down,” the opening track from Fierce Mercy would soon follow. Preceding the reflective “A Thousand Million Reasons,” the infectious cut would be the first of three songs performed from the album.

Reaching back for the first of six songs he would perform from the Men at Work catalog, Hay dusted off “Down by the Sea,” the final song from their 1982 blockbuster Business as Usual. The remaining selection of songs would provide a mixture of origins while highlighting the artistic talents of his five member backing band across the remainder of the show.

©DANIEL GLUSKOTER Colin Hay and his band take a bow following the conclusion of their well-received performance Tuesday night at Terrapin Crossroads.

Truely a band with international flavor, featuring the multi-talented Scheila Gonzalez from Guatemala on keyboards, flute, sax and backing vocals, along with added vocals from Peruvian singer and composer Cecilia Noël, in addition to a rhythm section of guitarist SanMiguel Perez bassist Yosmel Montejo (both hailing from Cuba) the diverse ensemble combined with Hay to keep the captive audience in a groove throughout the night at the intimate venue.

The back-end of the show was pretty much a non-stop assault on the senses with an array of hits and fan favorites. Thanking the crowd for not having a panic attack over the lack of Men at Work tracks, Hay proceeded to alleviate any concerns as he introduced “It’s a Mistake,” from 1983’s Cargo, the bands sophomore effort. Written during the Cold War, it’s about what would happen if the arms race resulted in a nuclear war. 

Up next, “Who Can It Be Now,” recorded in 1981 prior to the release of their first album, reached the top of the charts in the US a full year later and is perhaps their biggest hit with it’s unique saxophone opening, making it one of the most quirky singles of the new wave era. Nearly four decades after it’s debut, Gonzalez’ efforts lost nothing in translation.

A witty mariachi and flamenco infused cover of AC/DC’s “You Shook Me All Night Long” with Noël (Hay’s wife since 2002) on lead vocals and Hay’s backing was a unexpected delightful treat. “Overkill,” another song from Cargo written by Hay while living in Melbourne about the stress of leaving one’s comfort zone was next.

Finishing strong, the diverse musicianship of the band was showcased yet again on a powerful reggae infused version of their timeless trademark hit “Down Under,” extolling the virtues of Vegemite sandwiches, which quickly segued into a truly frenetic rendition of “Be Good Johnny,” written from the perspective of a nine year old boy who’s constantly being told to behave by his parents who don’t seem to understand him.

A two song encore of the introspective “Waiting for My Real Life to Begin” and 2015’s “Next Year People” remained, but if there was anyone that hadn’t been a faithful follower of Hay and his band prior to entering the venue, their conversion was now complete.

Hay returns to Northern California for a show at the Crest Theatre in Sacramento on Friday, May 17th. Tickets are available at: https://www.ticketfly.com/purchase/event/1788798?utm_medium=api

About Daniel Gluskoter

Daniel Gluskoter is the Martinez Tribune's national music and sports editor and a Bay Area photojournalist who's work has been featured in Rolling Stone, Time Magazine and Sports Illustrated. He covered the 2008 Presidential campaign as a correspondent for United Press International and has travelled worldwide covering events ranging from numerous Super Bowls and Olympics to Live Aid and the Grammys.

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